A set of four mid-century sterling silver dishes by the Norwegian jeweller and silversmith J. Tostrup, each decorated with a guilloché enamel surface. Marked Sterling, J. Tostrup, Norway to the reverse, the set reflects the firm’s reputation for precision workmanship and refined decorative detail, qualities that made Tostrup a leading name in Scandinavian silver throughout the 20th century.
6.5cm ⌀ each
A mid-century porcelain vase designed by Ludwig Zepner for Meissen in the 1960s, marked with the Meissen crossed swords to the base. Of tapering cylindrical form, the piece reflects Zepner’s restrained approach to shape, allowing the purity of Meissen porcelain to take precedence over ornament.
11cm ⌀ × 24cm H
Dating to the 1970s, this lucite bowl captures the era’s fascination with new materials and their sculptural possibilities. The clarity and refraction of the acrylic give the piece a shifting presence, its form animated by changes in light and shadow.
18cm W × 18cm D × 11.5cm H
A sculptural ceramic vase by Tapio Wirkkala, produced in the 1970s by Rosenthal’s Studio Line in Germany. This is an early edition, marked to the base Rosenthal, Studio Linie, Germany. One of the designer’s most iconic forms, the Paper Bag plays with illusion and material—rendering the delicate crumple of paper in crisp ceramic with masterful restraint.
10cm W × 7cm D × 15cm H
An early 20th-century crystal centrepiece by Moser, produced in Karlsbad, Czechoslovakia between 1918 and 1922. Marked on the base in diamond point: Made in Czechoslovakia, Moser, Karlsbad. The bowl is richly decorated with a wide frieze of marching warriors, rendered in gold against the clarity of cut crystal—a commanding motif that bridges Art Nouveau ornament with historicist themes.
30cm W × 16cm D × 13cm H
A finely cast pair of French Art Deco bookends, dating to the 1930s and attributed to Suzanne Bizard—one of the rare women sculptors of the period. Executed in patinated bronze and mounted on black marble bases, each piece is decorated with a stylised bird, emblematic of the era’s fascination with both nature and abstraction.
10cm W × 7cm D × 15cm H
Designed by Finnish master Tapio Wirkkala for Rosenthal’s Studio Line, this pairing captures the sculptural purity and tactile allure that define his work. Produced in porcelain, the Pearl Drops design translates the organic softness of nature into objects of quiet refinement, equally at home as functional pieces or as sculptural accents.
Trinket box: 6cm Ø × 9cm H
Ashtray: 12cm W × 9cm D × 4cm H
Marked: Rosenthal Studio Linie, Germany
A hand-painted porcelain tray by Hermès, produced in Limoges and decorated in gold and green with the Tigre Royal motif. The design centres on a richly detailed tiger’s head, framed by a gilded border. Limoges porcelain has long been favoured by Hermès for its refinement of surface and depth of colour, and in this example the precision of the painting underscores the house’s meticulous approach to decorative objects.
20cm W × 16cm D × 3.5cm H
