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A pair of mid-to-late 20th-century clip-on earrings by Fabrice Paris, each set with lustrous mother-of-pearl plaques in a polished gilt metal surround. The cool iridescence of the shell contrasts with the warmth of the mount, creating a quietly opulent look that captures the era’s chic costume jewellery aesthetic.
XX cm W × XX cm D
Marked, Fabrice Paris.
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silkscreen on paper signed lower right numbered 176/190 lower left 59 x 80 cm unframed
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A sculptural fruit bowl by Daum, France, produced in the 1960s. Its oblong form tapers to rounded ends, the body rising in curvilinear sweeps that catch and refract the light with the maison’s signature clarity. The restrained silhouette is elevated by the hand-finished fluidity of mid-century French art glass, a testament to Daum’s mastery of form without ornament.
XX cm W × XX cm D × XX cm H
Marked on the base in diamond point: Daum.
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watercolour on paper signed lower right titled lower left circa 1950-1960 21 x 28 cm
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silkscreen on paper signed lower right numbered 61/200 lower left 50 x 50 cm unframed
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An iconic bee brooch by Christian Dior, produced in the 1980s and set with jewelled accents in the house’s characteristically refined palette. The bee motif—at once a symbol of industry, elegance, and imperial favour—has been a recurring theme in Dior’s decorative lexicon since the mid-20th century, echoing both couture detailing and historic regalia.
XX cm W × XX cm D
Marked Dior to the reverse.
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A flamboyant flamingo brooch by Christian Dior, produced in the 1980s and realised in the house’s signature jewelled style. The flamingo—its neck elegantly arched and plumage rendered in vivid enamel and crystal—captures the era’s flair for bold, figural costume jewellery that straddled the line between whimsical ornament and haute couture accessory.
7.5 cm W × XX cm D
Marked Chr Dior to the reverse.
