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A pair of mid-to-late 20th-century clip-on earrings by Fabrice Paris, each set with lustrous mother-of-pearl plaques in a polished gilt metal surround. The cool iridescence of the shell contrasts with the warmth of the mount, creating a quietly opulent look that captures the era’s chic costume jewellery aesthetic.
XX cm W × XX cm D
Marked, Fabrice Paris.
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Dating to the 1970s, this lucite bowl captures the era’s fascination with new materials and their sculptural possibilities. The clarity and refraction of the acrylic give the piece a shifting presence, its form animated by changes in light and shadow.
18cm W × 18cm D × 11.5cm H
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A mid-century porcelain vase designed by Ludwig Zepner for Meissen in the 1960s, marked with the Meissen crossed swords to the base. Of tapering cylindrical form, the piece reflects Zepner’s restrained approach to shape, allowing the purity of Meissen porcelain to take precedence over ornament.
11cm ⌀ × 24cm H
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Designed by Finnish master Tapio Wirkkala for Rosenthal’s Studio Line, this pairing captures the sculptural purity and tactile allure that define his work. Produced in porcelain, the Pearl Drops design translates the organic softness of nature into objects of quiet refinement, equally at home as functional pieces or as sculptural accents.
Trinket box: 6cm Ø × 9cm H
Ashtray: 12cm W × 9cm D × 4cm H
Marked: Rosenthal Studio Linie, Germany -
A sculptural ceramic vase by Tapio Wirkkala, produced in the 1970s by Rosenthal’s Studio Line in Germany. This is an early edition, marked to the base Rosenthal, Studio Linie, Germany. One of the designer’s most iconic forms, the Paper Bag plays with illusion and material—rendering the delicate crumple of paper in crisp ceramic with masterful restraint.
10cm W × 7cm D × 15cm H
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A flamboyant flamingo brooch by Christian Dior, produced in the 1980s and realised in the house’s signature jewelled style. The flamingo—its neck elegantly arched and plumage rendered in vivid enamel and crystal—captures the era’s flair for bold, figural costume jewellery that straddled the line between whimsical ornament and haute couture accessory.
7.5 cm W × XX cm D
Marked Chr Dior to the reverse.
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silkscreen on paper signed lower right numbered 61/200 lower left 50 x 50 cm unframed
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Yiannis SPYROPOULOS Greek, 1912-1990 Abstract silkscreen on paper signed lower right numbered 194/240 lower left 70 x 50 cm unframed
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silkscreen on paper signed lower right numbered 194/240 lower left 70 x 50 cm unframed
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silkscreen on paper signed lower right numbered 85/150 lower left 60 x 85 cm unframed
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silkscreen on paper signed lower right numbered 228/240 lower left 86 x 60 cm unframed
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silkscreen on paper signed lower right numbered 176/190 lower left 59 x 80 cm unframed
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silkscreen on paper signed lower left numbered 178/240 lower left 94 x 69 cm unframed
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A generously proportioned Imari bowl, circa 1900, painted in the traditional palette of iron red, cobalt blue, and gilt over a white ground. The exterior and interior panels are decorated with stylised florals and geometric reserves, a composition that balances bold colour with refined detail in the late-Meiji manner. The generous size makes it as suited to the table as to display, embodying the enduring appeal of Imari ware in both East and West.
XX cm Ø × XX cm H
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silkscreen on paper signed lower right numbered 139/195 lower left 89 x 70 cm unframed
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silkscreen on paper signed lower right numbered 203/240 lower left 50 x 70 cm unframed
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copper engraving on paper signed lower right numbered 57/60 lower left 62 x 90 cm circa 1970 unframed
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silkscreen on paper signed lower right numbered 165/170 lower left 60 x 82 cm unframed
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A finely cast pair of French Art Deco bookends, dating to the 1930s and attributed to Suzanne Bizard—one of the rare women sculptors of the period. Executed in patinated bronze and mounted on black marble bases, each piece is decorated with a stylised bird, emblematic of the era’s fascination with both nature and abstraction.
10cm W × 7cm D × 15cm H
